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Alma-Tadema, Sir Lawrence Portrait of Herbert Thompson (mk23) oil painting


Portrait of Herbert Thompson (mk23)
Painting ID::  22949
Alma-Tadema, Sir Lawrence
Portrait of Herbert Thompson (mk23)
1877 Oil on wood,28.3 x 22.6 cm(11 1/8 x 8 7/8 in) Fitzwilliam Museum,Cambridge

   
   
     

Alma-Tadema, Sir Lawrence Portrait of Aime-Jules Dalou,his Wife and Daughter (mk23) oil painting


Portrait of Aime-Jules Dalou,his Wife and Daughter (mk23)
Painting ID::  22951
Alma-Tadema, Sir Lawrence
Portrait of Aime-Jules Dalou,his Wife and Daughter (mk23)
1876 Oil on canvas,84 x 30.5 cm(33 1/8 x 12 in) Musee d'Orsay,Paris

   
   
     

Alma-Tadema, Sir Lawrence Interrupted (mk23) oil painting


Interrupted (mk23)
Painting ID::  22952
Alma-Tadema, Sir Lawrence
Interrupted (mk23)
1880 Oil on wood,43.2 x 30.5 cm(17 x 12 in) Fulham Public Library,London

   
   
     

Alma-Tadema, Sir Lawrence Portrait of George Aitchison PRIBA (mk23) oil painting


Portrait of George Aitchison PRIBA (mk23)
Painting ID::  22953
Alma-Tadema, Sir Lawrence
Portrait of George Aitchison PRIBA (mk23)
RA 1900 Oil on canvas,116 x 91.5 cm(45 5/8 x 36 in) RIBA.London

   
   
     

Alma-Tadema, Sir Lawrence Ask Me No More (mk23) oil painting


Ask Me No More (mk23)
Painting ID::  22954
Alma-Tadema, Sir Lawrence
Ask Me No More (mk23)
1886 Watercolour Private collection

   
   
     

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     Alma-Tadema, Sir Lawrence
     b.Jan. 8, 1836, Dronrijp, Netherlands. d.June 25, 1912, Wiesbaden, Germany. Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail.

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